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	<title>Matthias Kispert &#187; Live Cinema</title>
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	<description>Matthias Kispert</description>
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		<title>Disruptive Technologies Feeding You</title>
		<link>http://www.matthiaskispert.com/live_cinema/disruptive-technologies-feeding-you/</link>
		<comments>http://www.matthiaskispert.com/live_cinema/disruptive-technologies-feeding-you/#comments</comments>
		<pubDate>Wed, 06 Nov 2013 13:43:46 +0000</pubDate>
		<dc:creator><![CDATA[mkispert]]></dc:creator>
		
		<guid isPermaLink="false">http://www.matthiaskispert.com/?post_type=live_cinema&#038;p=1687</guid>
		<description><![CDATA[<em>Feeding You</em> is a short-circuit in desire-production, creating a feedback loop in the image machine that operates on the body’s affective responses in order to increase the profit of capital. Its source material is the audio-visual language of branding and advertising of global corporations, which is thrown into the proverbial meat grinder to emerge in grotesquely distorted fashion.<br /> <a href="http://www.matthiaskispert.com/live_cinema/disruptive-technologies-feeding-you/">More <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><em>Feeding You</em> is a short-circuit in desire-production, creating a feedback loop in the image machine that operates on the body’s affective responses in order to increase the profit of capital. Its source material is the audio-visual language of branding and advertising of global corporations, which is thrown into the proverbial meat grinder to emerge in grotesquely distorted fashion. Through digital live processing the functionality of this material, the manipulation of desire, is literally turned on its head: Here, it is the material, the familiar brand logos and sound identities, that is manipulated and turned back onto itself to create a neo-psychedelic liberatory aesthetics.</p>
<p>In this sense, <em>Feeding You</em> could be seen as a kind of anti-retail therapy, a form of psychological remedy that inverts the short-lived gratification that can be gained from giving in to an impulse to purchase some thing or other, and instead seeks to shock the metabolism out of the habit of consumption. We invite you to expand your total self.</p>
<p>Disruptive Technologies (DI$T€©) are Matthias Kispert (audio) and <a href="http://www.maxhattler.com/" title="Max Hattler" target="_blank">Max Hattler</a> (video).<br />
<br />
<a href="http://www.maxhattler.com/" title="Max Hattler" target="_blank">&rarr;Max Hattler</a></p>
<hr />
<table>
<tr>
<td>Seeing Sound Symposium</td>
<td>Bath Spa University, Bath, UK</td>
<td>24 Nov 2013</td>
</tr>
</table>
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		<title>Tektōn</title>
		<link>http://www.matthiaskispert.com/live_cinema/tekton/</link>
		<comments>http://www.matthiaskispert.com/live_cinema/tekton/#comments</comments>
		<pubDate>Tue, 25 Dec 2012 15:27:43 +0000</pubDate>
		<dc:creator><![CDATA[mkispert]]></dc:creator>
		
		<guid isPermaLink="false">http://www.matthiaskispert.com/?post_type=live_cinema&#038;p=1330</guid>
		<description><![CDATA[Digital/machinic instruments are imagined through software and driven by animation algorithms to engineer different formations of kinetic light. As the machine itself is rendered invisible we witness the traces of structure and spatial presence the light leaves behind.<br /> <a href="http://www.matthiaskispert.com/live_cinema/tekton/">More <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p><em>Tektōn</em> is an ongoing collaborative project between Mike Faulkner from D-Fuse and Paul Mumford of Labmeta	exploring the spatio-temporal qualities of light and motion. Digital/machinic instruments are imagined through software and driven by animation algorithms to engineer different formations of kinetic light. As the machine itself is rendered invisible we witness the traces of structure and spatial presence the light leaves behind.</p>
<p>Inspired by the form-finding techniques of architects such as Konrad Wachsmann and the constructivist designs of Vladimir Tatlin, and László Moholy-Nagy, mechanical rules are used as creative constraints in a virtual system of light. Each set of constraints give way to the production of a different tool, resulting in emergent behaviours and forms, where traces of light dynamically organise themselves in the tension between simplicity and complexity.</p>
<p>Beginning as a series of audiovisual films that explored animation techniques focusing on rotational vectors and cylindrical patterns with a range of artists including Hauschka, L’Usine, Heaven 17 and Swayzak, the work has since been developed into a live audio-visual performance with music by Matthias Kispert [D-Fuse].</p>
<p>The live audio-visual performances are presented on 3 layers of screens: 2 transparent gauzes hang in front of the performers with a solid projection screen at the back, allowing images to float, diffuse and spatialised.</p>
<hr />
<table>
<tr>
<td>Kinetica 10th Anniversary Exhibition</td>
<td>Kinetica Museum, London, UK</td>
<td>17 Feb 2017</td>
</tr>
<tr>
<td>Störung</td>
<td>La Farinera del Clot, Barcelona, Spain</td>
<td>15 Apr 2015</td>
</tr>
<tr>
<td>Punto y Raja</td>
<td>HARPA, Reykjavik, Iceland</td>
<td>31 Jan 2014</td>
</tr>
<tr>
<td>STRP Biënnale</td>
<td>Klokgebouw, Eindhoven, Netherlands</td>
<td>8 Mar 2013</td>
</tr>
<tr>
<td>Multiplicidade</td>
<td>Oi Futuro, Rio De Janeiro, Brazil</td>
<td>29 Nov 2012</td>
</tr>
<tr>
<td>Out Hear</td>
<td>Kings Place, London, UK</td>
<td>8 Oct 2012</td>
</tr>
<tr>
<td>Musion Academy Media Awards</td>
<td>Kinetica Art Fair, Ambica P3, London, UK</td>
<td>8 &#8211; 12 Feb 2012</td>
</tr>
</table>
<p><a href="http://dfuse.com/" title="D-Fuse" target="_blank">&rarr; D-Fuse</a><br />
<a href="http://vimeo.com/dfuse" title="D-Fuse Vimeo" target="_blank">&rarr; D-Fuse Vimeo</a><br />
<a href="http://www.labmeta.net/" title="Labmeta" target="_blank">&rarr; Labmeta</a></p>
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		<title>Strata Live</title>
		<link>http://www.matthiaskispert.com/live_cinema/strata-live/</link>
		<comments>http://www.matthiaskispert.com/live_cinema/strata-live/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 15:05:53 +0000</pubDate>
		<dc:creator><![CDATA[mkispert]]></dc:creator>
		
		<guid isPermaLink="false">http://www.matthiaskispert.com/wordpress/?post_type=live_cinema&#038;p=87</guid>
		<description><![CDATA[The term “strata” refers to particular layers in the organic evolutionary process; it is a visual metaphor for a non-linear history that is more a sum of certain characteristics over a given period of time than anything else. This live cinema performance marks the live premier of The Strata Series, which delves into art history and plays around with the construction and deconstruction of our perception of classic art, architecture and iconography.<br /> <a href="http://www.matthiaskispert.com/live_cinema/strata-live/">More <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>Quayola is a visual artist who is fascinated by the tensions and clashes between the real and artificial, the figurative and abstract, and the old and new. His work incorporates photography, geometry, digital sculptures and immersive audiovisual installations and performances. </p>
<p>The term “strata” refers to particular layers in the organic evolutionary process; it is a visual metaphor for a non-linear history that is more a sum of certain characteristics over a given period of time than anything else. This live cinema performance marks the live premier of The Strata Series, which delves into art history and plays around with the construction and deconstruction of our perception of classic art, architecture and iconography. The underlying, predominantly geometric, layers of works from the Renaissance, Baroque and Gothic architecture are revealed in this spectacle. Discover what a masterpiece truly looks like!<br />
<br />
<a href="http://www.quayola.com" title="Quayola" target="_blank">&rarr;Quayola</a></p>
<hr />
<table>
<tr>
<td>Out Hear (with cellist Gregor Riddell)</td>
<td>Kings Place, London, UK</td>
<td>3 Dec 2012</td>
</tr>
<tr>
<td>STRP Festival</td>
<td>Eindhoven, Netherlands</td>
<td>19 Nov 2011</td>
</tr>
</table>
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		<title>Banquet</title>
		<link>http://www.matthiaskispert.com/live_cinema/banquet/</link>
		<comments>http://www.matthiaskispert.com/live_cinema/banquet/#comments</comments>
		<pubDate>Sun, 09 Jan 2011 21:56:06 +0000</pubDate>
		<dc:creator><![CDATA[mkispert]]></dc:creator>
		
		<guid isPermaLink="false">http://www.matthiaskispert.com/wordpress/?post_type=live_cinema&#038;p=29</guid>
		<description><![CDATA[A poetic investigation of food and its manifold cultural relevances. The stuff we eat sometimes goes almost unnoticed in our daily routines, but its significance ranges from cultural, political and religious spheres to the personal and the erotic.<br /> <a href="http://www.matthiaskispert.com/live_cinema/banquet/">More <span class="meta-nav">&#8594;</span></a>]]></description>
				<content:encoded><![CDATA[<p>The stuff we eat sometimes goes almost unnoticed in our daily routines, but its significance ranges from cultural, political and religious spheres to the personal and the erotic.</p>
<p>Food satisfies one of our most basic urges, yet the rituals and habits surrounding it are some of the oldest and most refined aspects of culture. Food provides essential nourishment but overindulgent eating habits can also be destructive to our organism. While its supply and waste is overabundant in one part of the planet, its scarcity is acute in another. Industrial production and distribution has led to to the food supply chain being in an ever tighter grip of a few multinational corporations.</p>
<p>As an integral part of everyday life, eating can be done solitarily or mark the occasion for a social gathering, its performance can be highly ritualised or profoundly mundane. Sharing food is something that brings people together, whether that is over a lunch meeting, dinner party or an intimate dinner for two. </p>
<p>More than anything, perhaps, food marks a continuous cycle of becoming and annihilation. Food disintegrates over time whether used or not, and within our bodies it also undergoes a process of decomposition, with its own waste products. Being perishable by nature, food requires continuous supply, failure of which would lead to catastrophic consequences. As a product of the earth, food connects us to our origins within nature.<br />
<br />
<a href="http://www.whiteemotion.com/" title="Blanca Regina" target="_blank">&rarr;Blanca Regina</a></p>
<hr />
<table>
<tr>
<td>FM Book Launch</td>
<td>Bolívar Hall, London, UK</td>
<td>27 Nov 2014</td>
</tr>
<tr>
<td>Strange Umbrellas #4</td>
<td>Tin Tabernacle, London, UK</td>
<td>31 May 2014</td>
</tr>
<tr>
<td>A Night of Audiovisual Performance Art</td>
<td>The Horse Hospital, London, UK</td>
<td>24 Apr 2014</td>
</tr>
<tr>
<td>Music Hackspace First Anniversary</td>
<td>Troyganic, London, UK</td>
<td>11 Oct 2012</td>
</tr>
<tr>
<td>Hackney Film Festival</td>
<td>New Empowering Church, London, UK</td>
<td>7 Sep 2012</td>
</tr>
<tr>
<td>Electrovision</td>
<td>Roxy Bar and Screen, London, UK</td>
<td>22 Oct 2011</td>
</tr>
</table>
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